[et_pb_section fb_built=”1″ _builder_version=”4.26.0″ _module_preset=”_initial” custom_padding=”||0px|||” saved_tabs=”all” global_colors_info=”{}”][et_pb_row _builder_version=”4.26.0″ _module_preset=”_initial” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_post_title _builder_version=”4.26.0″ _module_preset=”_initial” global_colors_info=”{}”][\/et_pb_post_title][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Emmanuelle
\nBourassa-
\nBeaudoin” _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Emmanuelle Bourassa- Beaudoin” _builder_version=”4.26.1″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/07\/IMG_0667.jpg” title_text=”IMG_0667″ align=”right” _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.26.1″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\n
After studying a variety of techniques (Cecchetti, Limon, Release), primarily in Quebec and New York, Emmanuelle performed for several choreographers, including Alan Good, Massimo Agostinelli, Sonia Delwaide, Jadson Caldeira, Marjon VanGrunsven, Roberto Campanella, Edgar Zendejas, Harold R\u00e9haume, Dave St-Pierre, Dani\u00e8le Desnoyers and Hinda Es-Sadiqi. She then collaborated on the creation of\u00a0Les Ang\u00e8les, ces derniers bleus<\/em>, a project of C\u2019est juste lundi ! She has worked as a rehearsal director on numerous projects, including those of Audrey Bergeron, Jessica Serli, Anne Th\u00e9riault, Pierre-Marc Ouellette, Dani\u00e8le Desnoyers and Marie Chouinard. She currently teaches classes related to movement at the Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al, the \u00c9cole de danse contemporaine de Montr\u00e9al, the National Theatre School, as well as for the recreational program of the \u00c9cole de ballet sup\u00e9rieur du Qu\u00e9bec.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Angelo Originally trained as a visual artist, Angelo Barsetti quickly became a well-known makeup artist in the dance and theatre worlds, initially with Andr\u00e9 Brassard for Michel Marc Bouchard\u2019s\u00a0Les Feluettes<\/em>. His talent and creativity have allowed him to forge strong links with a variety of directors and choreographers, including Dani\u00e8le Desnoyers (Le Carr\u00e9 des Lombes), Catherine Tardif (Et Marianne et Simon), Sylvain \u00c9mard (Danse), Louise B\u00e9dard (Danse), Ren\u00e9 Richard Cyr, Wajdi Mouawad, St\u00e9phanie Jasmin and Denis Marleau (UBU Compagnie de cr\u00e9ation). Since collaborating on Jean Marc Dalp\u00e9\u2019s\u00a0Le Chien<\/em>, he has developed a special relationship with Brigitte Haentjens (Sibyllines), for whom he has also created promotional images. In addition, Barsetti has taught the art of stage makeup to acting students at the National Theatre School of Canada. He is currently devoting more and more of his energy to photography.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Guy Guy Cools is a dramaturge for dance. He has worked with Sidi Larbi Cherkaoui (BE), Dani\u00e8le Desnoyers (CA), Akram Khan (UK) and Arno Schuitemaker (NL), among others. Since December 1, 2022, he has been a regular professor in the dance department at UQAM. His most recent publications include \u201cIn-between Dance Cultures: on the migratory artistic identity of Sidi Larbi Cherkaoui and Akram Khan\u201d (2015), \u201cImaginative Bodies, dialogues in performance practices\u201d (2016) and \u201cPerforming Mourning. Laments in Contemporary Art\u201d (2021).<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Gabrielle Couillard” _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Gabrielle Couillard” _builder_version=”4.27.4″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2025\/08\/GabrielleCouillard_portrait-scaled-e1755185336378.jpg” alt=”GabrielleCouillard @ Dominic Lachance ” title_text=”GabrielleCouillard_portrait” align=”right” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\n With an eclectic background in creative writing, theatre and immersive audio, Gabrielle Couillard works both on the production and creative sides of various projects, harnessing wild sounds and voices to create rich soundscapes for precious words. Her work mixes various technical and artistic tools, such as poetic writing, field recording and the use of complex Fx chains, along with strong skills in sound design for live shows. Her main interest is for sound spatialisation and immersion, with which she explores the relation between the space and the body through sound, from her own experience of disability (Dispositif Espace-Corps, 2022-24, Territoires 2023). Sometimes behind a mixing board, sometimes on the ground with her cane transformed into a musical instrument, she makes sure that every sound, every word and every breath gets to your ears in the finest way. \u00a9 Dominic Lachance.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”C\u00e9dric Delorme-Bouchard” _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”C\u00e9dric Delorme-Bouchard” _builder_version=”4.27.0″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/12\/web_Cedric.png” title_text=”C\u00e9dric Delorme-Bouchard \u00a9 Angelo Barsetti” align=”right” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\n C\u00e9dric Delorme-Bouchard is a director, set and lighting designer based in Montreal, with a B.A. in Set Design and an M.A. in Theatre from UQAM. As a scenographer and lighting artist, he has signed over three hundred designs for theater, dance and opera in North America, South America, Europe and Asia. His set and lighting designs have been recognized with numerous national and international nominations and awards. Among others, he has been selected to represent Quebec at the 14th edition of the Quadriennale de sc\u00e9nographie in Prague (2019). On the Montreal scene, his recurring collaboration as a designer with renowned directors includes Philippe Cyr, Angela Konrad, \u00c9ric Jean, Sylvain B\u00e9langer, J\u00e9r\u00e9mie Niel, Florent Siaud and Geoffrey Gaqu\u00e8re.<\/p>\n In 2018, he founded the creative company CHAMBRE NOIRE, dedicated to staging theatrical works in which the scenic languages of space and light are central to the creative process. Since 2018, he has staged seven projects with his company between Montreal and Ottawa (Lamelles, Le vaisseau-c\u0153ur, Dispositif, Int\u00e9rieur, Les employ\u00e9s, La nef, Membrane<\/em>).<\/p>\n In addition to his practice as a director and designer, Delorme-Bouchard has taught as a guest professor, coach, workshop leader, jury member and lecturer at various institutions, including the English-language directing program at the National Theatre School of Canada, UQAM’s School of Visual and Media Arts, UQAM’s \u00c9cole sup\u00e9rieure de th\u00e9\u00e2tre, Concordia University’s theater department, Universit\u00e9 de Montr\u00e9al’s faculty of architecture and the faculty of architecture at the University of Brussels. Since 2022, he has been a professor in the theater department of C\u00e9gep Lionel-Groulx, where he teaches set design courses. Photo | \u00a9 Angelo Barsetti<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Taoufiq Izeddiou<\/p>\n ” _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Taoufiq Izeddiou” _builder_version=”4.27.0″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/07\/Le_Carre___des_Lombes_c_LucaIanelli-170.jpg” title_text=”Le_Carre___des_Lombes_c_LucaIanelli-170″ align=”right” _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.26.1″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\n Born in Morocco, Taoufiq Izeddiou is a choreographer, teacher and artistic director of the Anania company and the “On Marche” festival in Marrakech. He created the first school of choreographic arts in Morocco. Between Africa and Europe, he creates works that explore the tensions between tradition and modernity, the individual and the community, and a search for a new interpretation of dance. Recently, he was awarded the Chevalier de l’ordre des Arts et Lettres de la France.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Genevi\u00e8ve Genevi\u00e8ve Lizotte has worked as a set designer, costume designer, artistic director and stylist for over fifteen years. In the realm of theatre, she has collaborated on over 100 productions, working with such prominent directors as Andr\u00e9 Brassard, Claude Poissant, Christian Lapointe, Catherine Vidal and Ren\u00e9-Richard Cyr. Recently, Genevi\u00e8ve designed the sets for Cirque du Soleil\u2019s\u00a0Le Monde est fou, Tout \u00e9cartill\u00e9<\/em>\u00a0(dir. Jean-Guy Legeault) and Reflekt (dir. Fernand Rainville). She also designed a luminous forest for Moment Factory in Osaka, Japan. Her theatre credits include the stage designs for\u00a0Peter et Alice<\/em>\u00a0and\u00a0Harold et Maude<\/em>\u00a0(dir. Hugo B\u00e9langer, Th\u00e9\u00e2tre Jean-Duceppe),\u00a0Oxyg\u00e8ne<\/em>\u00a0and\u00a0P\u00e9ll\u00e9as et M\u00e9lisandre<\/em>\u00a0(dir. Christian Lapointe, Th\u00e9\u00e2tre Prosp\u00e9ro and TNM),\u00a0Les fourberies de Scapin, Et Vian! Dans la gueul<\/em>e, L\u2019impr\u00e9sario de Smyrne* and\u00a0Le Malade imaginaire<\/em>\u00a0(dir. Carl B\u00e9chard, TNM),\u00a0L\u2019Idiot, Robin et Marion<\/em>\u00a0(dir. Catherine Vidal, TNM and Theatre d\u2019aujourd\u2019hui),\u00a0Les intouchables<\/em>\u00a0(dir. Ren\u00e9 Richard Cyr, Rideau Vert and on tour in Quebec). She was also the visual designer for several productions by Pierre Lapointe, including\u00a0La for\u00eat des mal-aim\u00e9s, Mutantes<\/em>\u00a0and\u00a0Punkt<\/em>. In film, Genevi\u00e8ve was the artistic director on\u00a0Cash Nexus, Le M\u00e9t\u00e9ore<\/em>\u00a0and\u00a0Chorus<\/em>\u00a0(dir. Fran\u00e7ois Delisle ), and\u00a0B\u00e0 No\u00ef<\/em>\u00a0(dir. Khoa L\u00ea). In 2015, Genevi\u00e8ve was awarded the CALQ Studio Residency in New York City.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Marc Marc Parent has been a lighting designer for over twenty-five years. Initially specialized in contemporary dance, he has collaborated with dozens of choreographers on both the Quebec and international scenes (Dani\u00e8le Desnoyers, Jocelyne Montpetit, Jos\u00e9 Navas, Daniel L\u00e9veill\u00e9, Lucie Gr\u00e9goire, etc.). He has also worked frequently for the theatre with various directors including Denis Marleau, Martin Faucher and Fran\u00e7ois Girard. In the sphere of contemporary ballet he has created the lights for several choreographers on the international scene, including Kader Belarbi (The Beast and the Beautiful<\/em>), Mauro Bigonzetti (The Four Seasons<\/em>) Didy Veldman (TooT \/ The Little Prince<\/em>) and Stijn Cellis (Noces \/ Cinderella \/ The Sacredness of Spring<\/em>). Marc Parent has been nominated twice for a Lighting Design Mask by the Acad\u00e9mie qu\u00e9b\u00e9coise du th\u00e9\u00e2tre, and received the 2013 Dora Mavor Moore Award for “Oustanding ligthing design in dance” from the Toronto Alliance for Performing Arts. He is currently a resident designer for Les Grands Ballets Canadiens de Montr\u00e9al.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Ben Always exploratory and meticulous, Shemie’s solo pursuits involve performance based experimental sound practices that integrate freeform excursions and more structured compositional music – veering into classical, radio art, new technologies and all manner of other avant-garde investigation. Best known as singer and guitarist for art-rock-tronica act Suuns, Shemie also boasts a background in modern classical composition and experimental performance. A fascination for electronic music spurred him to experiment, expand his sound and fuse it with the conventions of many genres. Ever inquisitive, he seeks out novel conceptual projects and challenging delivery systems for new musical creations.<\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Gonzalo After two years of studying architecture in Lima (Peru), Gonzalo Soldi moved to Montreal to begin a career as a circus artist. Juggler and acrobat, he performed at the Avignon and Aurillac festivals. Very quickly, he became interested in technologies within the living arts, video and lighting in particular and their integration into dramaturgy. In 2008, he went on tour with Cavalia as video director. Between 2011 and 2014, he continued his studies in production at the National Theatre School, where he designed video, lighting and sound for numerous plays. Since then, he has collaborated with dance, theatre and performing arts companies such as Le Carr\u00e9 des Lombes, VYV, Compagnia Finzi Pasca, Franco Dragone. In 2015, he and Thomas Payette founded HUB, a multimedia design studio specializing in visual and technological design for the performing arts, installations and architecture.<\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Anne Th\u00e9riault” _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Anne Th\u00e9riault” admin_label=”En-t\u00eate” _builder_version=”4.27.0″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/11\/Anne_-de_Alex_Tran_2022-scaled.jpg” alt=”Anne Th\u00e9riault \u00a9 Alex Trahan” title_text=”Anne_ de_Alex_Tran_2022″ align=”right” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”Texte” _builder_version=”4.27.0″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\n A singular creator and performer aged 43, Anne Th\u00e9riault has been weaving multiple collaborations since 2005 with artists from a wide range of backgrounds, including Louis Bouvier, Virginie Reid, Marie Brassard, Martin Messier, Julie Favreau, Dani\u00e8le Desnoyers, Alexia B\u00fcrger and Dave St-Pierre. She is a founding member of Lorganisme, a structure for choreographers that focuses on the power of grouping within artistic practice. Since 2021, she has been a guest researcher at L’L-an experimental research structure in the performing arts, located in Brussels, where she expands her field of research into aging and contemporary writing. Otherwise, she works on numerous research projects, collaborates with several artists as a dramaturgical accompanist and acts as guest curator for various events on the Montreal scene. She also occasionally teaches in the dance department of the Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al and in Quebec colleges. | Photo: Alex Trahan<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Nancy Nancy Tobin is a meditator, sound artist and designer based in Montreal, Canada. Since 2000, her research in sound art is primarily concerned with non-traditional means to create music. She has received numerous grants from the Canada Council for the Arts and the Conseil des arts et des lettres du Que\u0301bec (CALQ) for the development of research and creation projects. Tobin performed her work at several festivals and galleries, including: MUTEK Montreal, NAISA (Toronto), TONE DEAF (Kingston), Avatar (Que\u0301bec), OBORO, Fonderie Darling, Muse\u0301e d\u2019art contemporain de Montre\u0301al (MAC).<\/p>\n As a designer in theatre and contemporary dance she has developed a specialization in vocal amplification for theatre and incorporates unusual audio speakers to transform the aural qualities of her compositions. Tobin\u2019s designs for directors and choreographers were presented at Festival TransAme\u0301riques, World Stage Festival, Festival d\u2019Avignon, Edinburgh International Festival, Berliner Festwochen and Music Biennale Zagreb. In 2021, she was awarded the Jovette- Marchessault Prize and in 2015, was finalist for the Siminovitch Prize.<\/p>\n Currently, she is a PhD candidate at Universite\u0301 du Que\u0301bec a\u0300 Montre\u0301al (UQAM), Art Faculty research and creation program. Her project is primarily concerned with the egoless creative process, presence, somatic silence and attention. | Photot: Jean-Nicolas Bertouille-Blais<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\nBarsetti” _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Angelo Barsetti” _builder_version=”4.26.1″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/07\/Angelo.jpeg” title_text=”Angelo” align=”right” _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.26.1″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\nCostume, Makeup and Hairstyle Designer and photographer<\/h4>\n
\nCools” _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Guy Cools” _builder_version=”4.26.1″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/07\/GuyCools_8486_koenbroosEastman.jpg” title_text=”GuyCools_8486_koenbroosEastman” align=”right” _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\nDRAMATURGE<\/h4>\n
SOUND COMPOSER<\/h4>\n
SET AND LIGHTING DESIGNER<\/h4>\n
Co-choreographer<\/h4>\n
\nLizotte” _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Genevi\u00e8ve Lizotte” _builder_version=”4.26.1″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/07\/web_mg_6264.jpg” alt=”Genevi\u00e8ve Lizotte” title_text=”Genevi\u00e8ve Lizotte” align=”right” _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.26.1″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\nSet Designer<\/h4>\n
\nParent” _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Marc Parent” _builder_version=”4.26.1″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/07\/MarcParent.jpg” alt=”Marc Parent” title_text=”Marc Parent” align=”right” _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.26.1″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\nLighting Designer<\/h4>\n
\nShemie” _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Ben Shemie” _builder_version=”4.26.1″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/07\/recadre-Ben_Shemie_press_pic_bw.jpg” title_text=”recadre-Ben_Shemie_press_pic_bw” align=”right” _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.26.1″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\nComposer<\/h4>\n
\nSoldi” _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Gonzalo Soldi” _builder_version=”4.26.1″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/07\/Gonzalo-Soldi.jpg” alt=”Gonzalo Soldi” title_text=”Gonzalo Soldi” align=”right” _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.26.1″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\nLighting Designer<\/h4>\n
\nTobin” _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”_initial” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Nancy Tobin” _builder_version=”4.26.1″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/10\/webNTobin\u00a9Jean-Nicolas_Bertouille-Blais-scaled-1.png” title_text=”Nancy Tobin \u00a9 Jean-Nicolas_Bertouille-Blais-scaled” align=”right” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”Texte” _builder_version=”4.27.0″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\nSound composer<\/h4>\n