[et_pb_section fb_built=”1″ _builder_version=”4.26.0″ _module_preset=”default” custom_padding=”||0px|||” saved_tabs=”all” global_colors_info=”{}”][et_pb_row _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_post_title _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_post_title][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Myriam Arseneault Campbell” _builder_version=”4.26.1″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/07\/15-Myriam_Arseneault-Campbell.jpg” title_text=”15-Myriam_Arseneault-Campbell” align=”right” _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.26.1″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\n
Myriam Arseneault Campbell is a dance artist and researcher based in Tio’tia\u0300:ke \/ Montreal, Canada. Trained in classical music, she went on to study literature and dance at the Universite\u0301 du Que\u0301bec a\u0300 Montre\u0301al. She collaborates assiduously with Le Carre\u0301 des Lombes\/Danie\u0300le Desnoyers as a performer, dances for choreographers Andre\u0301a Pen\u0303a, Taoufiq Izeddiou and Alexandre Morin, and performs in the many research projects of artist and lighting designer Hugo Dalphond. She cultivates and archives her somatic, philosophical and magical experiences in order to exercise and complexify her links with the living. Her enigmatic presence is revealed as much in large-scale works as in intimate performances.<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”L\u00e9onie B\u00e9langer” _builder_version=”4.26.1″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/07\/Lei__onie___AlexyaCG-1_2.jpg” title_text=”Lei__onie___AlexyaCG-1_2″ align=”right” _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.26.1″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\n
Based in Tiohti\u00e0 :ke\/ Montreal and initially trained in classical music, L\u00e9onie B\u00e9langer began studying contemporary dance at the C\u00e9gep de Saint-Laurent, then completed her bachelor’s degree in the dance department at UQAM in 2021. Since then, she has worked as a performer with Caroline Laurin-Beaucage, Catherine Lavoie-Marcus and is now collaborating with the Carr\u00e9 des Lombes.<\/p>\n
Although in love with the work of a performer in all its forms, L\u00e9onie is also driven by the posture of an outside eye and by creation. She presents, among others, one of her creations co-created with \u00c9loi Angers-Roy during the festival Art Souterrain (2021) with whom she is currently pursuing a research of digital art. In constant reaffirmation of her approach, she now likes to define her art as a practice of the body in the broadest sense. She therefore goes out to meet other art forms – visual art, theater, music and performance – wishing to inform her own and enter into dialogue with those of others. Photo | \u00a9 Alexya Cr\u00f4teau-Gr\u00e9goire<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Ch\u00e2telaine
\nC\u00f4t\u00e9-Rioux” _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Ch\u00e2telaine C\u00f4t\u00e9-Rioux” _builder_version=”4.26.1″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/07\/web_Chatelaine-CR_Maude-Archambault-Wakil.jpg” title_text=”web_Chatelaine-CR_Maude-Archambault-Wakil” align=”right” _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\n
Originally from Drummondville, Ch\u00e2telaine C\u00f4t\u00e9-Rioux is a contemporary dance artist based in Tiohti\u00e0:ke\/Montreal,\u00a0who places at the heart of her research a quest for\u00a0sensations, meanings and the imaginary. Ch\u00e2telaine completed a bachelor’s degree in dance at UQAM in 2020, where she took part in productions by Catherine Gaudet and Parts+Labour_Danse, followed by St\u00e9phanie\u00a0Decourteille’s\u00a0BIG BANG training in 2021. In 2022, she\u00a0presented\u00a0her first piece, Th\u00e9orie Popcorn, co-created with Pamela Aub\u00e9 at\u00a0Tangente’s Danses Buissonni\u00e8res. She works as a performer with Le Carr\u00e9 des Lombes\/Dani\u00e8le Desnoyers, Caroline Laurin-Beaucage and Sarah Dell’Ava, as well as with several emerging artists, including Rozenn Lecomte, Claire Pearl and No\u00ebl V\u00e9zina. Ch\u00e2telaine also teaches dance workshops for young audiences and cultivates a commitment to the poetic and political scope of the performing arts, getting involved in various cultural initiatives.\u00a0Photo | \u00a9 Maude Archambault-Wakil<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Paige
\nCulley” _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Paige Culley” _builder_version=”4.26.1″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/07\/Paige_Culley-photo_Tony_Chong.jpg” title_text=”Paige_Culley-photo_Tony_Chong” align=”right” _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.26.1″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\n
Paige Culley is a native of Rossland, British Columbia. She studied at the School of Toronto Dance Theatre, where she received a scholarship for young contemporary dance artists from the Hnatyshyn Foundation. After obtaining her diploma in 2010, she worked for the company Dancemakers, performing works by Antonija Livingstone, Martin B\u00e9langer and Ame Henderson. From 2011 to 2016, Culley worked closely with compagnie Marie Chouinard, performing the existing repertoire and developing original roles. Paige Culley is also the winner of the 2012 danceWEB scholarship at the Festival ImPulsTanz in Vienna. She was mentored by Robin Poitras and Beno\u00eet Lachambre. Paige Culley appeared in the original cast of\u00a0<\/span>More than Naked<\/em>\u00a0by Doris Uhlich and the Montr\u00e9al version of\u00a0<\/span>Nature Redux<\/em>\u00a0by Marten Spangberg. Since 2012, she collaborates with Le Carr\u00e9 des Lombes \/ Dani\u00e8le Desnoyers and continues to perform works by Daina Ashbee and Lucy May. In 2017, she received the \u201cD\u00e9couverte\u201d award at les Prix de la Danse in Montr\u00e9al. Photo | \u00a9 Tony Chong<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Kimberley Kimberley de Jong is a dancer and choreographer based in the Tiohti\u00e0:ke territories. She will present her work Cycle<\/em>, a collaboration with actor Jon Lachlan Stewart, based on the graphic illustrations in Ruth Gwily’s book, in February 2025 at Espace Libre. Her work, (M)other,<\/em> an investigation into the reappropriation of motherhood with five dancers, cellist Anne Bourne and projectionist Philippe Leonard, was included in the exhibition Les engendrements<\/em> at the Galerie de l’Universit\u00e9 de Montr\u00e9al in 2024. In October 2022, she presents her work The Day the Wild Cried<\/em> with sound collaborator Jason Sharp and set designers Wendt\/Dufaux at La Chapelle Sc\u00e8ne contemporaine. She has danced for many choreographers over her 20-year career, including Marie Chouinard, Sylvain Emard, Fr\u00e9d\u00e9rick Gravel, Caroline Laurin-Beaucage, Martin Messier and Dani\u00e8le Desnoyers. Kimberley works as a rehearsal director for Compagnie Marie Chouinard. Kimberley de Jong is also a birth attendant, Pilates instructor and mother of three.\u00a0<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Stacey D\u00e9silier” _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” collapsed=”off” global_colors_info=”{}”][et_pb_row module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Stacey D\u00e9silier” admin_label=”En-t\u00eate” _builder_version=”4.27.0″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/09\/web_Stacey.png” title_text=”\u00a9 Garrett Naccarato ” align=”right” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\n Graduating from the \u00c9cole de danse contemporaine de Montr\u00e9al in 2014, Stacey D\u00e9silier is a performer with remarkable intensity. Her artistic curiosity leads her to explore a wide range of disciplines, including contemporary dance, urban dance, and circus arts. Among her collaborations are works with M\u00e9lanie Demers\/Mayday, Compagnie Catherine Gaudet, Dana Gingras\/Animals of Distinction, Helen Simard, George Stamos, Collectif9, Tentacle Tribe, Beno\u00eet Landry\/Nord nord est, Dave St-Pierre, Cirque \u00c9loize, and the opera Starmania<\/em>. She believes in the fusion of cultures through dance and is driven by a desire to continue sharing artistic experiences. | \u00a9 Garrett Naccarato<\/p>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Aur\u00e9lie Ann Aur\u00e9lie Ann Figaro is a performer originally from Haiti. As well as training in traditional Haitian dance with Sh\u00e9rane Figaro, she graduated from the \u00c9cole de danse contemporaine de Montr\u00e9al in 2022. She has since collaborated with several companies, including Compagnie Oredans, Other Animals: Interdisciplinary Arts, Le Carr\u00e9 des Lombes\/Dani\u00e8le Desnoyers, Compagnie Catherine Gaudet and WAFD Interdisciplinary Creations. Ancestrality, eclecticism and versatility guide Aur\u00e9lie in her career as a dance artist. Photo | \u00a9 Julie Artacho<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Gabby Gabby Kachan\u2019s passion for dance emerged at a young age. Raised in Halifax, Nova Scotia, she completed her training in the Intensive Training Program at Halifax Dance. As a major award winner from the Nova Scotia Talent Trust throughout her youth, Gabby regularly performed as part of Halifax Dance\u2019s The Young Company and assumed a lead role in Symphony Nova Scotia\u2019s The Nutcracker. In 2018, Gabby moved to Montr\u00e9al to study at \u00c9cole de Danse Contemporaine de Montr\u00e9al. During her time at EDCM Gabby worked with choreographers such as Andrea Pe\u00f1a, Andrew Turner, Charles Brecard, James Viveiros, Kanpai – Natalia De Miguel & Jorge J\u00e1uregui Allue and Darryl Tracy, to name a few. Since graduating, Gabby has had the honour of working with Le Carr\u00e9 des Lombes in\u00a0<\/span>UNFOLD | 7 Perspectives<\/em>\u00a0at OFF-FTA in Montreal as well as performing and touring 6.58: Manifesto by Andrea Pe\u00f1a and Artists, including opening Tanzmesse 2022 in D\u00fcsseldorf, Germany.<\/span><\/p>\n Gabby has always been interested in channelling her body\u2019s capabilities in different forms both as a dancer and as a competitive rower for many years. She continues to be excited about exploring movement and the connection between the artists and the audience. Photo | \u00a9 Bobby Le\u00f3n<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Jean-Benoit His initial passion for urban dance, combined with his training in contemporary dance, gives Jean-Benoit Labrecque a great versatility of interpretation sought by creators. Since his graduation from EDCM in 2014, he has collaborated with choreographer Dani\u00e8le Desnoyers on four creations;\u00a0<\/span>Anatomie d’un souffle<\/em>\u00a0(2016),\u00a0<\/span>UNFOLD | 7 perspectives<\/em>\u00a0(2019),\u00a0<\/span>La For\u00eat Mixte<\/em>\u00a0(2021), and\u00a0<\/span>Faunes-Variations<\/em>\u00a0(2022). Jean-Benoit has also collaborated since 2015 with Toronto choreographer Riley Sims on several creations, including\u00a0<\/span>Are you still coming tonight<\/em>\u00a0(2016),\u00a0<\/span>Drunk Fiction<\/em>\u00a0(2017),\u00a0<\/span>Ode Parade<\/em>\u00a0(2017),\u00a0<\/span>Amorous Playlist<\/em>\u00a0(2019) and\u00a0<\/span>This lament i’ll lip-syinc until i’m born<\/em>\u00a0(2022). He also collaborates with choreographer Andr\u00e9a Pena on several projects, including the piece\u00a0<\/span>Untitled I + III<\/em>\u00a0presented at Usine C in 2019, the short film\u00a0<\/span>Sainte-Monique<\/em>\u00a0presented by the Festival Quartier Danse in 2020, as well as the piece\u00a0<\/span>Manifesto 6.58<\/em>\u00a0premiered at the Agora in 2021. He also collaborates with choreographers Virginie Brunelle, Catherine Gaudet, Fr\u00e9d\u00e9rick Gravel, Alan Lake, Daniel L\u00e9veill\u00e9, Jacques Poulin Denis, S\u00e9bastien Provencher and George Stamos. Photo | \u00a9 CPGN.photography<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Ariane Based in Tiohti\u00e0:ke \/ Mooniyang \/ Montr\u00e9al, Ariane Levasseur uses the body as her main artistic vehicle. She trained at UQ\u00c0M, completing a bachelor’s degree in dance, where she was awarded the Prix William-Douglas in 2022. In 2021, she was part of Caroline Laurin-Beaucage’s Habiter nos m\u00e9moires<\/em>\u00a0project. In 2023, she begins work on the new Carr\u00e9 des Lombes creation under the direction of Dani\u00e8le Desnoyers. Her piece this is not moving<\/em>, co-created with Rozenn Lecomte, is presented at Danses Buissonni\u00e8res (Tangente). In 2024, she joined Compagnie Catherine Gaudet for the piece ODE<\/em>, presented at the FTA. As a performer-creator, she continues to explore resistance, the charm of demands and fragments of intimacy through movement in different performative contexts.<\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Louis-Elyan Born in Manosque, France, Louis-Elyan Martin is a choreographer and dancer in contemporary dance based in Montr\u00e9al. After he graduates with a master degree in English history and literature, and a DEC in contemporary dance at \u00c9cole de danse contemporaine de Montr\u00e9al, he pursues his career as a professional dancer touring internationally with numerous renowned companies like O Vertigo, Holy Body Tattoo, Alan Lake Factorie, Le Carr\u00e9 des Lombes, Montr\u00e9al Danse. For a few years now, he develops his sense of choreography digging in his path and experience as a dancer but also through movements and names inspiring him like Gaga movement, Tanztheater and Dimitris Papaioannou. Qu\u00e9bec council for the arts founded his work that has been presented in numerous festival on the international scene, in Canada, Cyprus and France. He also received the support of many institutions for his creative residencies like Espace Marie Chouinard, EDCM, Circuit-Est centre chor\u00e9graphique and Maisons de la culture in Montr\u00e9al. Photo | \u00a9 Luc Lavergne<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Abe After his soccer training and guitar studies in the Netherlands, Abe Simon Mijnheer moved to Montre\u0301al in 2012. He discovers a passion for dance and enrols into the contemporary dance department of Concordia University. In 2016 he continued in this field of study and commenced the formation at the E\u0301cole de Danse Contemporaine de Montre\u0301al. During this time at EDCM he has performed the works of Marie Chouinard, Viginie Brunelle, Catherine Tardif, Ginette Laurin and Manuel Roque, to name a few. He started his professional career as a performer within the work of Se\u0301bastien Provencher, Aure\u0301lie Pe\u0301dron, Lina Cruz, Fre\u0301de\u0301rick Gravel, Le Carre\u0301 Des Lombes, Alan Lake Factori(e) and Rhodnie De\u0301sir, to name a few. Abe enjoys integrating other practices, such as soccer, yoga, running, singing and music, to his dance training.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Milan Milan Panet-Gigon, at first a reckless sportsman, discovered urban dance as a teenager and is invited to train with the established crews of Montreal. He then becomes an apprentice for the Solid State company with choreographers Helen Simard and Jodee Allen before being part of the production of Take it back where he faces the fusion of urban, social and contemporary dances. Especially interested by the meeting of styles he pursue to learn more of the diverse approachs to movement before entering the contemporary dance department at Concordia University in 2008 where he then graduate. He stands out as a gifted, athletic and versatile performer. In this capacity, Milan Panet-Gigon has collaborated with various artists, notably Dave St-Pierre, Virginie Brunelle, Sasha Kleinplatz, Pierre-Paul Savoie and the Parts+Labour_Danse company. He feels the importance of transmitting some of what he aquires along the way and got to teach intensive workshops on different technics of floor work and partnering work with Joanie Douville with whom he taught in Quebec, France and Italy. Photo | \u00a9 Camille Tellier<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Nicolas Patry” _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row admin_label=”Row” module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Nicolas Patry” admin_label=”Heading” _builder_version=”4.26.1″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/07\/IMG_0496_01_hd.jpg” alt=”Nicolas Patry” title_text=”Nicolas Patry” align=”right” _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.26.1″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\n Nicolas Patry graduated from EDCM in 2008. Since, we have seen him performed for many choreographers: Chantal Carron, Lina Cruz, Thierry Huard, Alan Lake, M\u00e9lanie Demers, Paula De Vasconcelos and Virginie Brunelle, Parts+Labour_Danse and Estelle Clareton. Nicolas works with Le Carr\u00e9 des Lombes \/ Dani\u00e8le Desnoyers since 2013. Nicolas loves to explore new ways to utilise his body and the theatrical side of dance. He is currently pursuing research for a new project with Louise B\u00e9dard and Sylvain \u00c9mard. In parallel to his dance career, Patry is currently practicing Qi Gong with Marie-Claude Rodrigue. He also explores Continuum movement under the direction of Linda Rabin. Photo | \u00a9 Philippe Poirier<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Bront\u00eb Originally from Montreal, Que\u0301bec, Bronte\u0308 fell in love with the art of movement at the E\u0301cole de danse contemporaine de Montre\u0301al. Upon graduating, she was invited to work with several well-established Montreal companies such as Le Carre\u0301 des Lombes, Van Grimde Corps Secrets, Parts+ Labour_Danse and as a freelancer for Compagnie Marie Chouinard, as well as RUBBERBAND. Bronte\u0308 is also involved in numerous multidisciplinary projects with cultural hubs such as Street Parade, Valle\u0301e Duhamel, Castel Blast, Kroy, Koriass, Foxtrott, Apashe and many others.<\/p>\n Creation and the stage are the places where she feels she is growing and evolving as a performer and a human being. In addition, her creative experiences with multiple choreographers and dancers have enabled her to broaden her field of knowledge and the essence of her inspirations. Partner work, floor work and different physical states are three of the many facets of dance that thrill the performer. She wishes to participate in the cultural identity of her city, province and country through body dialogue. Her primary language is movement, and it is through this that she seeks to ignite discussion and awaken emotions. [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Lou-Anne Rousseau” _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row admin_label=”Row” module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Lou-Anne Rousseau” admin_label=”Heading” _builder_version=”4.27.4″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2025\/06\/Lou-Anne-Rousseau_web.png” alt=”Marie-Eve Quilicot” title_text=”Lou-Anne Rousseau” align=”right” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”Texte” _builder_version=”4.27.4″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\n Based in Tiohti\u00e0:ke\/Montr\u00e9al, Lou-Anne Rousseau is a Qu\u00e9bec City-born artist, graduate of the Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al’s Bachelor of Dance program. Her career began in the field of urban dance, and was enriched by formative encounters with artists such as Andrew Turner, Caroline Laurin-Beaucage, Parts+Labour_Danse and Dani\u00e8le Desnoyers. Awarded the William Douglas Prize, Lou-Anne made her professional debut with Tamara Cubas’s MULTITUD<\/em>, presented at the Festival TransAm\u00e9riques (FTA) in 2024, as well as with VOUS \u00caTES ICI’s 2024 program, with Santiago Lopez Alzate’s ELIMINATE THE THREAT<\/em>. She nourishes her creative imagination and somatic experiences by exploring performance, duality and play. With the aim of anchoring herself in a celebration of the multi-facetedness of the body, Lou-Anne seeks out new forms to complexify her experiences of life.<\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Marie-Eve She began dancing at the age of three, after falling under the spell of classical ballet and later contemporary dance. She began her career with the Dave St-Pierre company at the age of 20, taking part in the creation and international tours of the shows La pornographie des \u00e2mes<\/em>, Un peu de tendresse bordel de merde<\/em> and Foudre<\/em>. She has taken part in several Cirque du Soleil productions, including LOVE<\/em> in Las Vegas, for which she was soloist and dance coach. Since returning to Montreal in 2008, she has worked as a freelance artist for choreographers such as Virginie Brunelle, Dani\u00e8le Desnoyers, Caroline Laurin-Beaucage, Alix Dufresne and Anne Th\u00e9riault, while collaborating regularly with Cirque \u00c9loize on shows such as 7 moments de joie<\/em> and Seul Ensemble<\/em>. As young audiences are among her favorites, she lands the role of Amelia Earhart in Noeuds Papillon<\/em> by Marie-Eve Huot, produced by Th\u00e9\u00e2tre \u00c9bouriff\u00e9, and that of the creature in D\u00e9j\u00e0 au D\u00e9but..<\/em>. a solo show by Th\u00e9\u00e2tre de L’Arri\u00e8re Sc\u00e8ne, directed by Jean-Fran\u00e7ois Guilbeault.<\/p>\n In 2019, she broadens her practice by taking on a new role: that of choreographer to filmmaker Philippe Falardeau for his film My Salinger Year<\/em>. She also signs the movement for Brigitte Poupart’s Jusqu’\u00e0 ce qu’on meure<\/em> and works alongside Sylvain B\u00e9langer as a movement consultant for the adaptation of Ivan Vyrypaev’s OVNI<\/em>, performed by graduates of the CEGEP de Saint-Hyacinthe theater school. In 2024, she was invited by Daniel Bri\u00e8re to join the design team for Michel!<\/em> the latest ComediHa! production. Never far from the circus milieu, she assisted Nicolas Boivin-Gravel in directing the show for the graduates of the National Circus School’s 2025 cohort. Photo | \u00a9 Christian Garmatter<\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Myriam Arseneault Campbell is a dance artist and researcher based in Tio’tia\u0300:ke \/ Montreal, Canada. Trained in classical music, she went on to study literature and dance at the Universite\u0301 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"footnotes":""},"class_list":["post-1566","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\n
\nde Jong” _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” collapsed=”off” global_colors_info=”{}”][et_pb_row module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Kimberley de Jong” _builder_version=”4.26.1″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/07\/Kimberley_DJ__Robin_IMG_2817_.jpg” title_text=”Kimberley_DJ__Robin_IMG_2817_” align=”right” _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\n
\nFigaro” _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Aur\u00e9lie Ann Figaro” _builder_version=”4.26.1″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/07\/figaro_aurelieann_headshot_web__JulieArtachot.jpg” title_text=”figaro_aurelieann_headshot_web__JulieArtachot” align=”right” _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.26.1″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\n
\nKachan” _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Gabby Kachan” _builder_version=”4.26.1″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/07\/image0.jpeg” title_text=”image0″ align=”right” _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.26.1″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\n
\nLabrecque” _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Jean-Benoit Labrecque” _builder_version=”4.26.1″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/07\/CPGN09455.jpg” title_text=”CPGN09455″ align=”right” _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.26.1″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\n
\nLevasseur” _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Ariane Levasseur” admin_label=”Heading” _builder_version=”4.26.1″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/07\/portrait_alevasseur.jpg” alt=”Ariane Levasseur” title_text=”Ariane Levasseur” align=”right” _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\n
\nMartin” _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Louis-Elyan Martin” admin_label=”Heading” _builder_version=”4.26.1″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/07\/Headshot_Louis-Elyan_Martin.jpg” alt=”Louis-Elyan Martin” title_text=”Louis-Elyan Martin” align=”right” _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.26.1″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\n
\nSimon Mijnheer” _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row admin_label=”Row” module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Abe Simon Mijnheer” admin_label=”Heading” _builder_version=”4.27.4″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/09\/445381928_483915644078042_8976511631591703544_n.jpg” alt=”Abe Mijnheer” title_text=”Abe Simon Mijnheer” align=”right” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”Texte” _builder_version=”4.27.4″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\n
\nPanet-Gigon” _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row admin_label=”Row” module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Milan Panet-Gigon” admin_label=”Heading” _builder_version=”4.26.1″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/07\/Milan_Panet-Gigon_cr__dit_Camille_Tellier.jpg” alt=”Milan Panet-Gigon” title_text=”Milan Panet-Gigon” align=”right” _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.26.1″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\n
\nPoir\u00e9-Prest” _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row admin_label=”Row” module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Bront\u00eb Poir\u00e9-Prest” admin_label=”Heading” _builder_version=”4.26.1″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/07\/Portrait-bronte.jpeg” alt=”Bront\u00eb Poir\u00e9-Prest” title_text=”Bront\u00eb Poir\u00e9-Prest” align=”right” _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.26.1″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\n
Photo | \u00a9 Julie Artacho<\/p>\n<\/div>\n<\/div>\n<\/div>\n
\nQuilicot” _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”4rem||||false|false” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row admin_label=”Row” module_class=”span-6″ _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”|||0px|false|false” custom_padding=”0rem|2rem|0rem|2rem|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.26.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Marie Eve Quilicot” admin_label=”Heading” _builder_version=”4.27.0″ _module_preset=”default” title_level=”h4″ title_font=”|600||on|||||” title_font_size=”3.5rem” custom_margin=”||-1px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_image src=”https:\/\/lecarredeslombes.com\/wp-content\/uploads\/2024\/07\/Marie-Eve_Quilicot.jpeg” alt=”Marie-Eve Quilicot” title_text=”Marie-Eve Quilicot” align=”right” _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||35px|||” global_colors_info=”{}”]<\/p>\n