Anatomie d’un souffle
2016
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Première mondiale à la Maison symphonique de Montréal en mai 2016.
Entrer dans un univers musical. Être perméable à la beauté sonore, à la pulsation, au souffle d’une mélodie, à l’effroi que procurent des masses sonores dans ses vibrations les plus sombres. Puis se perdre dans cette anatomie que l’on dissèque, que l’on manipule, tel un vêtement dont on observe la structure. Comme si au bout du compte, la musique devenait ce vêtement que l’on portera avec confiance, joie ou mélancolie.
L’écriture chorégraphique qui émerge de la création Anatomie d’un souffle n’épouse pas les structures musicales, mais y répond, dialogue avec elles, tisse un réseau de rencontres qui, parfois, peuvent sembler improbables.
Le projet se joue des clichés, des conventions, y adhère parfois avec humour ou un brin d’insolence. Ce qui pourrait devenir une suite d’interprétations physiques de la musique devient ici un jeu relationnel dans lequel la présence des interprètes nous révèle la profondeur de leur propre expérience face à la musique.
Une écriture abstraite, formelle, s’entremêle à un monde onirique qui se nourrit de l’imagerie suscitée ou provoquée par la musique. Transport de joie, corps glorieux, liberté sont autant de mots puisés à même les titres des œuvres musicales qui, réunis, constituent le florilège d’un sens commun.
Le corps existe à travers sa relation au monde. La danse devient le reflet et des tensions de ce monde. Elle allie vitesse, virtuosité, fougue à de puissants désirs, à un besoin d’abandon. Une gestuelle mouvante, à la fois naturelle et complexe est portée par sept danseurs, figures emblématiques d’une société en quête de repères.
La partition chorégraphique pour l’œuvre de Sweelinck est dédiée à la mémoire de Jean-Pierre Perreault.
Cette création du Carré des Lombes est réalisée en coproduction avec Danse Danse et l’Orchestre symphonique de Montréal, en collaboration avec le département de danse de l’UQAM.
Crédits
Chorégraphie et aménagement de l’espace scénique
Danièle Desnoyers
Organiste en résidence de L'OSM
Jean-Willy Kunz
Musique originale
John Rea
Musiques additionnelles
Buxtehude, Raffaele Manari, Olivier Messiaen, Arvo Pärt, Jan P. Sweelinck
Directrice des répétitions
Emmanuelle Bourassa Beaudoin
Éclairages
Marc Parent
Costumes
Angelo Barsetti en collaboration avec Marianne Thériault
Maquillages et coiffures
Angelo Barsetti
Interprètes
Karina Champoux, Laurence Dufour, Jean-Benoit Labrecque, Pierre-Marc Ouellette, Nicolas Patry, Clémentine Schindler, Anne Thériault
Le choeur des participants
Levon Arabian, Cristina Birri, Élisabeth-Anne Dorléans, Adèle Dussault-Gagné, Marie Fulconis, Christine Heyraud, Laurence Lapierre, Jérémy Paquette, Laetitia Philantrope, Adam Provencher